Showing posts with label production notes. Show all posts
Showing posts with label production notes. Show all posts

Tuesday, March 10, 2009

Greatest art house film of the last five years


It's a seriodramatic comedy called Never Back Down, and it is discusses themes of things not being what they appear, and tackles the different layers behind our understanding of the world and language--this is all implied, but it serves as an unspoken explanation for the events in the film. The main character, Jake, is a troublemaker and moves to Florida or whatever, where he soon meets the love of his life, a streetfighter named Ryan, played by ripped thespian Cam Gigandet. When the two first lock eyes, it's seriously one of the most heart-pounding moments I've ever experienced in my living room. This will probably get nominated for a Spirit Award this year (IF THERE'S ANY JUSTICE).


The two fight at a house party, a sweaty row that is supposed to be symbolic of these two making love for the first time, except the limitations of societal mores makes it so that these two young men cannot express, and so therefore must subvert, their sexual desires. This is presented in the abstract in the form of street fights. Jake loses, which represents him being the bottom. This is meant to portray societies ostracization of 'people like that' and so Jake goes on a journey to both win Ryan's love and prove to the world that he is as much a man, if not more than, his peers.



Seriously, the poetic beauty of the training montages (matched with tasteful radio rock selections) will bring tears to your eyes. The way the filmmakers use a constant barrage of shirtless, smooth-chested cover shots to convey the isolation and almost desperate state of the main character is perhaps one of the boldest artistic choices I've witnessed since Charlie Kaufman chose to put himself as a character in his film Adaptation. I won't spoil the ending, although you'll be able to see it coming. I'll just say this is going to be A HIT among the artsy crowd and might sweep the Oscars this year. I'm calling it now.

Saturday, November 29, 2008

Production notes: Zack & Miri


So, more or less, I got to see Zack & Miri Make Adult-Oriented Materials last night and here are thoughts:


- Seth Rogen sometimes comes off like he's trying too hard, maybe that's because most of the diaglogue is Kevin Smith's, and it can be kind of abrasive sometimes. Overall though, he's good and says funny shit, which is why he's there. Also, he totally wasn't losing weight for his new movie yet, 'cause homeboy is looking kind of big here (not that there's anything wrong with that).

-Elizabeth Banks is very good.

-I lol'd more than once.

-Brandon Routh comes across as a very nice guy and is very photogenic.

-Tisha Campbell is in it.

-Justin Long's gay-guy impression is not really the awesomest. He plays a raspy, effeminate ghey with a sorta faux-classiness that is kind of annoying. Why Justin Long chose to interpret the character this way and why Kevin Smith thought it worked is beyond me (unless he is described in the script this way). It's minstrel-y (not to get all Rosie O'D on a muthafucker), and it's not like Justin Long gets many chances to be anyone but the Mac Guy that everyone hates. I mean, he's not THAT butch! He could have basically played himself and it would've been gay enough (but his character does have an issue with being femmy and dating a 'straight guy' so I guess it had to play this way, whatever, it's his movie, not mine, he can play it however he wants. Incidentally, this is the same issue I had with the dude in the leather jacket in Chasing Amy. Incidentally still, Chasing Amy is a pretty good movie worthy of respect, so whatever.)

[picture from lat]
update: that was a post, really, about nothing